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FREE SALAMANDER EXHIBIT *

Free Salamander Exhibit

      Current research indicates that within 2 years of use, a pillows weight increases by 30% due to the accumulation of dead skin cells, dust mites, and their droppings. In a similar fashion, FREE SALAMANDER EXHIBIT has gradually augmented its own weight through an accumulation of musical and literary droppings, distilled these into creative impulses ; Impulses committed to memory and subsequently forgotten…

Originally called the Rock Springs Six, FREE SALAMANDER EXHIBIT makes no bones about being influenced by the early work of Sleepytime Gorilla Museum. «Yeah, we all have that first record» they mutter nonchalantly. Their new name is taken from the Sleepytime Gorilla Press 1916 leaflet distributed by pentecostal snake∼handler George Went Hensley of Tennessee, wherein the gospel dictum «They shall take up serpents and salamanders» was treated to more or less literal interpretation. «Yeah, we all handle them, salamanders that is» they confess. Yes, they have renounced their snake handling ways in favor of the modern hair∼shirt, i.e. the burlap gown. Certainly their outfits are uncomfortable and make playing difficult, especially for the non∼«rock» instruments they sometimes employ, but what price for beauty ?

It seems the past is something this band of burlap brothers would rather put to rest. FSE gained some notoriety in the early 2000s by impersonating the members of Sleepytime Gorilla Museum, even going so far as insinuating themselves into the SGM members households. When it was announced in 2010 that SGM had been «subsumed» into the very bodies of Free Salamander Exhibit, the music press understood this to figuratively refer to a simple regrouping. Boy, were they wrong…?

Currently based in Oakland (california), FREE SALAMANDER EXHIBIT continues to shed its dead skin cells, casting off an accumulated detritus of metal, prog∼rock, & art∼rock  influences. They meet regularly in an underground concrete shelter. Here they sit at an oval∼shaped table in a spirit of constructive argumentation, poring over the nature of memory and the illusory promise of free will. Eventually they emerge, ready again to absorb the environmental stimuli that nourish their world∼view. Through this circular process of absorption and molting, FSE hopes to augment the mass of your own pillow as well…

FREE SALAMANDER EXHIBIT is : Dan Rathbun → bass, sledgehammer dulcimer, vocals + David Shamrock → drums, glockenspiel + Drew Wheeler → guitar, glockenspiel, theremin, waterphone, vocals + Michael Mellender → guitar, trumpet, baritone, tangularium, spleen, double∼bladed cat sneeze, percussion∼guitar, vocals + Nils Frykdahl → vocals, guitar, flute.

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Fredox *

Fredox

      The photo∼montages from FREDOX, produced mainly on a scalpel∼photoshop machine, are similar to a fusion < > fission, surgical ill iconographic where advertising propaganda and electronic insects mingle, trench wars and atomic sects, techno∼scientific delusions and unhealthy pornography, deviant industrial medical corpus and slugs tattooed… A disturbed graphic cut∼up but nevertheless colorful and often funny → It is good to laugh sometimes…

The images of FREDOX appear in the «mythical» graphzine  Stronx, which he co∼founded early 90s ; He then joined  Le Dernier Cri «church» { silk screen books, animation films, participation in the HÔPITAL BRUT collective as well as in various international D.C. exhibitions }. He also participates, sporadically, in various transverse comix & rocknroll

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FORGUETTE MI NOTE *

Forguette Mi Note

      FORGUETTE MI NOTE was born in Tours (france)  in 1986 ; Among the musicians who composed this group were : Ben Bernardi (future Cornu) ← drums & choirs + Julie Bonnie (future Cornu) ← violin, vocal & choirs + Rod Chambaud ← percussions, vocal & choirs + Sylvestre Perrusson (future Rubin Steiner Band and Croque-Love) ← double bass & choirs + Nicolas Richard ← choirs & organisation + Claire Touzi Dit Terzi ← vocal & guitar…

The adventure happened nine years during which they travelled across europe for more than 600 concerts and released two full∼lengh albums { «Gargouillis» in 1993 & «Cruciforme» in 1994 }. The dissensions within the combo in particular between both (strong) personalities of Claire Diterzi { who admits having «screwed up shit in the band and leaving part» } & Julie Bonnie  are at the origin of its dissolution in 1995…

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FIST FUCK PRODUXION *

Fist Fuck Produxion

      Vincent Bernard, 43 years old, former international junior baseball player, met Samuel Levasseur, 16 young, at a jazz club. Leaving in the early morning, a little tipsy, they stumble on Stéphane Paris, ex. tramp disguised as a trash can. They made love all the whole holy day and decided to found FIST FUCK PRODUXION in order to divert european subsidies. For these three modern and motivated young people, disgusted to live mediocrity at the open sky, a challenge was now obvious : To convince and live in accordance with the image they had of themselves, proud to be alive, a little distant, good humor in addition…

This is how these kabyle bars & new wave  enthusiasts invented a new cinema. Good luck to you & kiss.

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FAUN FABLES *

Faun Fables

      FAUN FABLES is an american band from Oakland (california). Faun Fables is a vehicle for Dawn McCarthy who was inspired, to write the original material, from her travels∼passes after leaving the New York music scene in 1997. FAUN FABLES also covers twentieth∼century compositions by other authors∼composors & traditional folk songs…

All albums except the debut one and tours are collaborations∼fusions with Nils Frykdahl { founding member of IDIOT FLESH, SLEEPYTIME GORILLA MUSEUM and FREE SALAMANDER EXHIBIT }, inspired by previous work from McCarthy and her stage character «Dawn the Faun»…

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FAT32 *

Fat32

      FAT32, its the ultimate slap, the sublime attack, the sonic hurricane in abyss. Duo < > duel drums & keyboards : John Kaced & Tonio Capelli shamelessly distort «jazz», «swing», «hardcore» and all forms of unrelenting noise in a bubbling and powerful maelstrom that owes a lot to the most loony tunes from Naked CityJohn Zorn and the cartoon spirit of a Spike Jones or Scott Bradley soundtracks…

Particularly crazy, there is a touch of exhibitionism made possible by a common pleasure of the game and the exchange ; What we can call a flawless bond ; Yeah, FAT32 is pure ears sculpture, mixture, architecture !

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EXTREM CHEROKEE *

Extrem Cherokee

        In a world where music is losing its true value, where big apples and corporations think only of extreme profits ; In this world where money has taken precedence over arghtistic, there are still men, courageous & reckless, who dare to challenge this sounding & stumbling industry and trying to juxtapose a different, irreverent vision of the musical spectacle  and want to change the dogmas of greeding & dominating markets castrators of talented arghtists. These men are a number of four and have set up their base camp in france at Rouen, the city of propaganda. Daring to raise their sword against sonic insipidity, they arrive with a claiming and provocative brulotglaviot, drawing its sources from «extreme music» ← nuff said

EXTREM CHEROKEE (2003 > 2009)  those were & did : Damien ← stereophonic rhythmic guitars, stereophonic solo guitars, choirs, heroic harmonic riffs + Guillaume ← rhythmic bass guitar, heavy, vocals, sound effects, heavy metal fashionista + Nicolas ← bass drum, snare drum, alto tom, bass tom, hi∼hat (closed & open), cymbals & sticks, gameboy, backing vocals, double∼pedal symphonies + Robin ← shouted voices, singing voices, choirs, keyboards, texts and spiritual vibrations.

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CURSE OV DIALECT *

Curse Ov Dialect

       Coming from Melbourne (australia), this multicultural bush gang { formed in 1994 around Raceless aka Maltese Well Monster & Paso Bionic, then consolidated with Volk Makedonski & Atarangi } with multiple references offers a joyfully iconoclastic and seriously messy performance…

Taking their essence∼deviance deep into the socio∼political, poly∼ethnic and atypical «hip∼hop» culture : CURSE OV DIALECT interweaves traditional aboriginal sounds, «rock» riffs, among other oriental musics, as well as experimental, and deliciously mixed with all «electro» sauces. Considered as a musical anomaly on stage, theatrically savage and controversial at the crossroads of civilizations → Curse Ov Dialect is a great what-the-fuck & in-your-face which breaks with every conventional, consensual, accustomed habits…

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COPYWRONG *

Copywrong

      Dancing on the ashes of COPYRIGHT, this stormy quartet sharpened its noisy ill-in-the-head precision∼confusion ; COPYWRONG was : François Zzrif ← bass, also in TEAR(S) OF A DOLL + Gogor & sa holde ← bass + M.C. à Rio ← microphone + Morej ← drums. Existence∼lightning presence between 1996 & 1997, just enough time to do 19 nice & warm shows, often in duet∼duel with los amigos from KING BISCUIT ; And put out a 10 split EP with the same last ones, as well as a trilogy of CD compilations → «Minor Threat—Out Of Tune» with a cover of «Guilty Of Being White» + «Amnistia» in support of basque∼country prisoners + «Teck One—La Mauvaise Herbe» with the latest unpublished creations {That you can listen on the audio∼player above}…

Then, various consequent projects responding to the following nicknames will keep up the sonic struggle : AUDIO SUPERSTAR (1999), GOPHER WYBOROWA (2000 → 2003), DANCE KENNEDYS (2001), MOUSTAFA MOUSTACHE no featuring UNLOGISTIC (2004 → 2010), STANLEY KUBI (2004 → 2011), then more recently with b a b i l SABIR (2015 ← 2018) and SUPERTRUMP (2017)… And havent we déjàVU?

As Jimi Hendrix said : A good guitarist is a dead one !

↑ ↓ Montages Plonk & Replonk

bonzinitour
↓ ↓ ↓

25.01.1997
| PARIS
• fr |
Dellys

29.03
| PARIS
• fr |
Noise Gate

23.04
| MONTREUIL
• fr |
Instants Chavirés

7.06
| ÉPUISAY • fr |
Ô Bon Bougre
28.06
| PARIS
• fr |
La Grange Aux Belles
3.07
| MONTREUIL
• fr |
Nouveau Vendémiaire
5.07
| DIJON
• fr |
Festival Libertaire
8.08
| ÉPUISAY
• fr |
Ô Bon Bougre
10.09
| MONTREUIL
• fr |
Nouveau Vendémiaire
20.09
| ÉPUISAY
• fr |
Ô Bon Bougre 
( la der ! )
25.10
| STRASBOURG
• fr |
Molodoï
26.10
| CHAMBÉRY
• fr |
Local de la Ronce
28.10
| CASTOU
• fr |
Fortan
31.10
| AUDINCOURT
• fr |
Nelson Bar
1.11
| SAINT∼ÉTIENNE
• fr |
Mistral Gagnant
2.11
| LYON
• fr |
Squat de Vaise
14.11
| ISSY∼LES∼MOULINEAUX
• fr |
Farenheit
15.11
| PARIS
• fr |
Pop In
22.11
| ROUEN
• fr |
Chez Émile

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COPYRIGHT *

Copyright

        Dinosaur quatuor < > First creative encounter (1994 → 1996) which revealed the following bands : COPYWRONG, AUDIO SUPERSTAR, GOPHER WYBOROWA, Dance Kennedys, MOUSTAFA MOUSTACHE no featuring UNLOGISTIC, and also STANLEY KUBI, oh oui  !

COPYRIGHT was : Igor ← bass + Kat ← guitar & screams + Loïc ← drums + Macario ← throat. Short live band just in time to do few rehearsals (creation), exactly 21 concerts (exhibition), a demo K7 (construction), a 7 vinyl (introduction) and a last compilation appearance (conclusion) —with the replacement of Loïc  by Morej  on drums— {That you can listen on the audio∼player above} for the last straight line, including the finishing of the last 3 titles and the action of the 2 last shows, pause.

So, then comes COPYWRONG

↑ Painting (up) H.R. Giger
↓ Montage∼Collage (down)Winston Smith

(des)espoirtour
↓ ↓ ↓

8.04.1995
| VILLIERS∼SUR∼MORIN
• fr |
Salle des Fêtes

14.05
| MONTREUIL
• fr |
Vendémiaire

24.05
| SAINT∼OUEN
• fr |
Squat

12.06
| MONTREUIL
• fr |
Instants Chavirés

21.06
| DAMPMART
• fr |
Forêt

24.06
| ÉPUISAY
• fr |
Ô Bon Bougre

1.07
| MONTREUIL
• fr |
Vendémiaire

9.07
| DIJON
• fr |
Bar

15.07
| GENÈVE
• ch |
Squat

22.09
| MONTREUIL
• fr |
Vendémiaire

20.10
| STRASBOURG
• fr |
Molodoï

21.10
| ROUEN
• fr |
Chez Émile

27.10
| LE HAVRE
• fr |
Bar

28.10
| SOTTEVILLE∼LÈS∼ROUEN
• fr |
Festival

29.10
| DUNQUERQUE
• fr |
Bar

12.11
| LILLE
• fr |
Le Clos Ferrer

1.12
| MEAUX
• fr |
Bar

3.12
| ROUEN
• fr |
Chez Émile

30.03.1996
| PARIS
• fr |
Squat 105

5.07
| MONTREUIL
• fr |
Nouveau Vendémiaire

14.07
| GENT
• be
|
Squat